MUSICA CLASICA ARABE--------POR RITA AMODEI

CANTO DE LAS IGLESIAS ORIENTALES -----POR RITA AMODEI

Cánticos de las dos iglesias de oriente, la de tradición bizantina y la siriaca, interpretados por Soeur Marie Keyrouz, monja católica libanesa afincada en Paris, y L'Ensemble De La Paix. +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

ANUNCIO--CITA CON MONICA DIEDRICH .. BIEN VENIDA A LA ARGENTINA ........POR RITA AMODEI

SOLIDARIDAD . UN SONIDO QUE HIERE , LOS NIÑOS DE SIRIA .........POR RITA AMODEI

Tras conocer los informes de Human Rights Watch y otros, dados a conocer esta semana, que afirman que hay niños que están siendo asesinados, mutilados por bombas racimo y utilizados como combatientes y vigilantes, UNICEF reitera su petición de que se proteja a los niños en todo momento. “Es más que alarmante, es escandaloso e inaceptable ver cómo se violan los derechos de los niños de esta manera,” ha dicho Anthony Lake, Director Ejecutivo de UNICEF. “Cuanto más se prolongue esta situación, mayores serán los daños a los niños, a su futuro y también al futuro de la propia Siria.” UNICEF está trabajando en Siria y en los cuatro países vecinos para distribuir suministros básicos a cientos de miles de niños y familias. Más información sobre el trabajo de UNICEF en la Crisis en Siria: http://www.unicef.es/infancia/emergencias-ayuda-humanitaria/crisis-en-siria

MONJES DEL CONVENTO DE SANTO DOMINGO. AVELARDOS - ----- POR RITA AMODEI

1. Abélard: O quanta qualia 0:00 2. Abélard: Virgines caste 6:14 3. Abélard: Planctus cigne "Clangam filii" 14:35 4. Quis dabit 17:48 5. O monialis 21:07 6. Rex obiit 24:48 7. Plange, castella 28:14 8. Abélard: De profundis 31:15 9. Abélard: Epithalamica 42:35 10. Abélard: Planctus David "Dolorum solatium" +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

MUSICA SACRA DEL RENACIMIENTO .........POR RITA AMODEI

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ My favorite,Renaissance sacred music. the Renaissance music is European classical music Inspired for God written during the Renaissance, between 1400 and 1600, approximately. The stylistic characteristics that define Renaissance music are polyphonic texture that follows the laws of counterpoint, and is governed by the modal system inherited from Gregorian chant. Among its most widespread forms of music are the mass and the motet in the religious genre, the madrigal, chanson Carol and gender-profane, and the dancing, the ricercare and canzona in instrumental music. my most favorites compositers of this period are : Tomás Luis de Victoria. Thomas Tallis William Byrd Palestrina Thomas Morley Guillaume Dufay Johann Jakob Froberger Diego Ortiz Josquin Desprez, Antonio de Cabezón Orlando di Lasso Gregorio Allegri Francesca Caccini Alessandro Piccinini Vittoria Aleotti Claudio Monteverdi Adriano Banchieri Guglielmo Ebreo da Pesaro Francesco Spinacino Antonio Caprioli Gasparo Alberti Andrea Antico Francesco Patavino Bernardo Pisano Pietro Paolo Borrono Francesco de Layolle. Costanzo Festa Pierre Attaignant Simon Boyleau Francesco Canova da Milano Balthazar de Beaujoyeulx Mattio Rampollini. Chants and Prayers Renaissance : All Kyrie all Beneditione all Per signum Crucis all Veni Creator Spiritus all Salve Regina all Alma Redemptoris Mater all Ave Regina Caelorun all Regina Caeli all Pater Noster all Ave Maria all Gloria all Symbolum Nicaenum-Costantinopolitanum the best alleluia the best Spíritum Sanctum all Agnus Dei

GREGORIO ALLEGRI . MISERERE : TRANSCRIPTO A NOTACION MUSICAL POR W. MOZART - -----POR RITA AMODEI

This is the full version of the magnificent "Miserere mei, Deus" composed by Allegri and here brilliantly performed by the Choir of New College, Oxford. Please help the New College Choir fund future recordings, performances and tours by buying the album directly from their website +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ Miserere, by Italian composer Gregorio Allegri (1582-1652), is a setting of Psalm 51 composed during the reign of Pope Urban VIII, probably during the 1630s, for use in the Sistine Chapel during matins as part of the exclusive Tenebrae service on Wednesday and Friday of Holy Week. It was the last of twelve misereres composed and chanted at the service since 1514 and the most popular: at some point, it became forbidden to transcribe the music and it was only allowed to be performed at those particular services, adding to the mystery surrounding it. Writing it down or performing it elsewhere was punishable by excommunication. +++++++++++++++++++++++++++++++++++++